Working with Unit London gave me the chance to design something that felt more like a tactile extension of the gallery space itself. Each catalogue was crafted around the tone of the exhibition—some loud and expressive, others more minimal and quiet. I leaned into bold layouts when the work called for it, and pulled back when negative space felt more appropriate. Typography played a key role in setting the rhythm, while image placement was always led by the artwork, not the grid. These books weren’t just about documentation—they were about creating a visual flow that matched how you'd walk through the show in person.